| The Age of Miracles | 
| Artist: Mary-Chapin Carpenter Label: Zoe Records Category: Music
Buy New: $10.81 as of 9/7/2010 09:48 CDT details
New (36) Used (8) from $8.97
Seller: -importcds Rating: 44 reviews Sales Rank: 356
Media: Audio CD Discs: 1 Shipping Weight (lbs): 0.2 Dimensions (in): 5.9 x 5.1 x 0.6
UPC: 601143113321 EAN: 0601143113321 ASIN: B0033G9O1E
Release Date: April 27, 2010 Availability: Usually ships in 1-2 business days
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| Tracks:
| • | We Traveled So Far | | • | Zephyr | | • | I Put My Ring Back On | | • | Holding Up The Sky | | • | 4 June 1989 | | • | I Was A Bird | | • | Mrs. Hemingway | | • | I Have A Need For Solitude | | • | What You Look For | | • | Iceland | | • | The Age Of Miracles | | • | The Way I Feel |
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| Editorial Reviews:
Album Description The Age of Miracles is the 3rd Zoe/Rounder release from world renowned singer-songwriter Mary Chapin Carpenter. The Age of Miracles has been a work in progress since 2007. The album is a personal exploration of regret and resilience but also a larger, more universal expression of wonder at the times we are living in. Carpenter is backed by an incredible band that includes Matt Rollings (piano, B-3 organ), Russ Kunkel (drums), Duke Levine (electric and acoustic guitar), Glenn Worf (bass), Dan Dugmore (steel and 12 string guitar) and Eric Darken (percussion). It also features guest vocals by Vince Gill and Alison Krauss.
Album Description 2010 studio album from the acclaimed singer/songwriter. Written and recorded over the past three years, The Age Of Miracles is a personal exploration of regret and resilience from the Mary as well as a larger, more universal expression of wonder at the times we are living in. The record features an incredible line-up of musicians, including longtime collaborator Matt Rollings as well as Russ Kunkel (drums), Duke Levine (electric and acoustic guitar) and Glenn Worf (bass). Also featured on the album are guest vocals from Vince Gill and Alison Krauss.
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| Customer Reviews:
Showing reviews 1-5 of 44
Three years after a life-threatening embolism, MCC returns in triumph April 27, 2010 Jesse Kornbluth (New York) 110 out of 116 found this review helpful
"We've got two lives, one we're given, the other one we make," Mary Chapin Carpenter sang on Come On Come On, her 1992 breakthrough album. For her, that estimate was too conservative --- three years ago, a pulmonary embolism nearly killed her. Seasons of doctors followed, and medicine and rest. Now she's released The Age of Miracles, and it's not overstatement to suggest that it's a rebirth --- a third life for her.
Small complication: In each of her lives, there have been two Mary Chapin Carpenters, one a significant writer, one a singer who can deliver hits. Sometimes the brainiac Brown grad and the Nashville hit maker don't seem to meet. She writes from the intersection of emotion and reason; she can sing like she's fronting a bar band. It's those raucous, bawdy songs that get the most air play --- and will, forever. Mary Chapin Carpenter feels lucky. She'll take her chances. And you should see her at the Twist & Shout. Etc....
I'm fond of that Mary Chapin Carpenter, but I value the writer more. And as a writer, she's anything but Nashville. Carpenter is a master of the line that slips under the radar and pierces your heart, the thought you believed only you had, the painful truth that loses some of its pain for being shared. We have a mutual friend in Don Schlitz, who wrote "The Gambler" and a sheaf of other songs that will be played as long as there is music. Though they collaborated fifteen years ago, the memory is still sweet. "To think, I had the opportunity to sit across the table and make up a few songs with her," he says. "You can only imagine what a lifetime experience that was."
It may take a professional to appreciate just how special Mary Chapin Carpenter is: The singer-songwriters who can combine actual poetry in a framework that's not entirely foreign to Nashville make for a very short list. No wonder that town's most accomplished musicians line up to record with her --- especially now, when her always personal writing and singing have new dimensions. And then there's her fresh resolve. As she sings in "The Way I Feel," the last song on the CD, "When I'm out alone on the midnight highway/ There's nothing like both hands on the wheel/ Radio playing `I Won't Back Down'/ Baby, that's about the way I feel."
Those lines, twangy guitars and that unmistakable voice were echoing in my ears when the phone rang. And off we went....
Jesse Kornbluth: Three years as a patient --- that isn't an experience you slough off. How bad was it? And how are you now?
Mary Chapin Carpenter: Much better, thanks. It was a stunning turn of events, a hard time in every way. When everything you've ever thought about yourself is torpedoed...it's rough. A lot of the new music springs from that. To record those songs and now to tour, that feels celebratory.
JK: Let's clarify. By calling your CD "The Age of Miracles", is that a statement of faith: Mary Chapin Carpenter believes in miracles?
MCC: I didn't mean it in the religious sense, I'm allergic to that language. I could be predictable and say I thought it was a miracle that America elected Barack Obama; there were times during the inauguration that my heart was pounding. In the context of the song lyric, I'm saying that if you're lucky enough to believe that miracles exist, then they come --- because you make your own luck, your own beauty, your own joy. You can try to pull it from other sources, see it in the world, but really, it starts with you.
JK: I can see another reason for thinking that making your own joy is necessary. As I scan the songs on this CD, they're hardly the sound track for "Pollyanna." There are references to Buddhist monks in Burma, racial tension in Louisiana, Ernest Hemingway's wife, the Apollo moon landing --- this is smart music for smart, informed people, made by, forgive me, a serious person. Are you hooked by what's going on?
MCC: If you pay too much attention to the news, your heart would be broken in a thousand pieces every day. You couldn't function. So you have to balance....
JK: Let's talk about the transformation of news into art. The monks in Burma....
MCC: Watching their non-violent protest, barefoot in the rain, simply so the world could bear witness --- every day it went on, I was holding my breath. I couldn't believe so much courage. And I thought: if you connect to it, you can draw something of that courage into your own life.
JK: Mrs. Hemingway --- which one?
MCC: The first one, Hadley Richardson. I was reading a new edition of "A Movable Feast," and I thought about Hadley --- of Hemingway's wives, we know so little about her. Many people only recall that she lost the manuscript of his novel, but I knew there must be much more. So I found two out-of-print biographies and started writing the song....
JK: To someone who's listened to you consistently through the years, two things about "The Age of Miracles" come through strongly. One, that this is right up there with your best work. And two, which, given the music business, is somewhat in opposition to the first: I see no songs here --- except the last --- that shout: I am an obvious candidate for a hit. This is adult music, melodic and tasty, but also thoughtful and sometimes challenging.
MCC: Looking back twenty years, perhaps the greatest struggle throughout is the struggle to be authentic. In the '90s, when I was having great success and things were crazy as could be, there was pressure --- sometimes spoken, sometimes not --- not to do this or that. And I thought: who am I? The hardest time during those years was when I said "yes" to something that didn't feel authentic to me. But that is how you learn too. I had a wonderful career with Sony, but they needed to get records on the charts. Since I started recording for Rounder, that kind of pressure has disappeared.
JK: "Come On Come On" --- 7 hit singles, 4 million CDs sold. And that was just the start. When you think about how sizzling your career was in the early to mid-`90s, what comes up for you?
MCC: It's hard to describe. On the one hand, there was the fatigue, the people tugging at you, so many obligations --- and that doesn't even include getting up on stage. But then there was the travel around the world, the amazing people, audiences, extraordinary opportunities, your music being heard and connecting to people. It was an extraordinary experience. I feel blessed to have had two lives.
JK: You're getting the "Spirit of Americana" Free Speech in Music Award from the Newseum's First Amendment Center and the Americana Music Association. What for, exactly?
MCC: I've always thought of myself as someone who didn't edit herself, I've just tried to write about my heart and the world, I never saw myself as a formal advocate of free speech. So this award came out of the blue. I still wonder: Are they sure?
JK: This tour --- will you play the greater hits?
MCC: On acoustic dates, you can sometimes get some distance from them. but this summer, in the bigger places, with the full band, it's going to be great fun to crank it up at the end and fling them out there
A Mary Chapin Carpenter "Miracle" May 5, 2010 ART-LOVER (Los Angeles, CA) 20 out of 20 found this review helpful
My iPod has a number of genres I've set- jazz, classical, country, various world catagories, etc....and then there are two oddball genres -Van Morrison and Mary Chapin Carpenter. Both talents deep beyond measure and in a genre all their own. MCC's new CD may be her best in a long productive career. From the opening track you know you've stepped into a beautiful zone where music and lyrics flow effortlessly and tap into the core of the human experience. Sound a little too much? Thanks to MCC we do live in an "Age of Miracles." She'll move you through soul searching, contemplative, uplifting and bitter sweet reflections that make you feel she's your twin sister that's been beside you your whole life and just decided to sing that life to you. I could go through the CD and analyze, critique, or summarize each song but that's not what this CD's about. This is about personal introspection and that's the wonderful journey for you as Mary opens your heart and your psyche through her music. Ignore the amateurish cover illusration and go straight to the music (and lyric sheet) and listen to the pure talent of a great singer-songwriter-musician at the top of her game.
Mary Chapin's Latest Is One Of Her Best! May 9, 2010 Stewart Tick (Boynton Beach, Florida) 5 out of 5 found this review helpful
Mary Chapin Carpenter may well be the only artist around today who appeals to the contemporary country audience as much as the folk-pop singer-songwriter enthusiasts. Tellingly, her latest effort, "The Age Of Miracles", debuted this past week at #28 on Billboard's pop chart, #6 on their country chart, and (not unexpectedly) at Number One on the folk-albums chart.
As far as the country fans are concerned, I'd say that the mid-tempo rockers "I Put My Ring Back On" and "The Way I Feel" are the most "radio-friendly". In fact, "I Put My Ring Back On" is already on the playlist at BBC Radio 2 in England - a place not generally thought of in the music industry today as prime territory for American country acts. As for the folk-pop singer-songwriter devotees, we may very well find ourselves more enamored of the slower-paced, more acoustic tracks, like the title song. Now this is the sort of songwriting and production that those of us who grew up listening to artists like James Taylor, Carole King, and Carly Simon (who of course influenced Mary Chapin) are accustomed to!
But whichever style one prefers, it's here, and I would hasten to add that this CD sounds just fine on my car's audio system. And as always, Mary Chapin's voice is wonderful, meshing perfectly with the intimate, understated quality of her performances. I am very much looking forward to seeing her on her upcoming national tour!
The right tunes at the right time . . . July 21, 2010 Michele Shopinski (Wausau, WI, US) 4 out of 4 found this review helpful
After reading up on MCC's struggles and triumphs, I have much better insight into and appreciation for the songs on this album. Not to mention so many ring true for me at this point in my life. I have most of her albums - and this is one of the best. Incredibly introspective and acoustically beautiful. Don't see any appearing on Top40 radio - but then that has become a barren wasteland at best these days. Maybe a Total MCC channel on satellite radio . . .
Beautiful art May 8, 2010 Robert Makela (Chicago, IL) 3 out of 3 found this review helpful
This album is amazing. Mary Chapin Carpenter has once again created a beautiful art piece.
Showing reviews 1-5 of 44
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